Annelies Hellem is a Belgian multidisciplinary artist whose work moves between object, image and space.

Her practice focusses on wall sculptures that returns to organic, circular forms and to the idea of interconnectedness: how one thing, once set in motion, ripples outward and shapes everything around it.

That interconnectedness is as physical as it is conceptual. The surfaces reflect the room they hang in, the light that moves across them and the person standing in front of them, so a piece is never quite finished. It keeps absorbing its surroundings and giving them back.

But the reflection goes both ways. Each work carries its own theme, its own question and asks something of the viewer in return: a moment of pause, of recognition, of reflecting back. Every reflection the work receives from the viewer becomes part of its ongoing story.

Alongside the sculptures, her works on paper form a parallel line of thinking. Some are concept drawings that lead into a sculpture, others are drawings that grow out of one after it's made. Either way, they carry the same instinct: repetition, movement and a sense of things staying in dialogue with what's around them, rather than standing apart.